Let’s talk to your secondary characters for a moment – what is it like to work for you as a writer and have they talked to you about having some plot armor?I have had an earful from my secondary characters! If there was a secondary character union, I would probably hear from them too. Why is that? Well, I expect my secondary characters, and even some of the tertiary characters, to work hard in the story. They need to come across as real people with their own goals and objectives. They need to make you like them or, if not that, make you love to hate them. This is a lot of work for a character who does not have top billing.

The problem, from their perspective, is that I kill off so many of them. No matter how attached to a character the reader becomes, if it works for the story, the character dies. In Princess of Shadows, an epic story of rebellion, duels, betrayals, and battles, the carnage is substantial. There is no plot armor. If you have not seen the term, plot armor refers to the device of having certain characters survive no matter the peril because they are important, either to the reader or the story. I have never liked this approach because it leads to scenes of climactic battles, against impossible odds, with whole armies slaughtered, but the main character and their friends come through unscathed. In Princess of Shadows, order is collapsing, warfare and brigandage become common, and people fear there will be widespread death and destruction. It seems only right that the burden should fall on the named secondary characters too. I think there is more dynamic tension in the story if the outcome for any particular character is in doubt. So, be careful about your attachments to . . . anyone.

What character gave you the most trouble and why?

Matthew Fitzwilliam was my problem child, in more ways than one. I needed to get into the head of this narcissist in order to see how to present his thinking and his perspective in various scenes. That was a struggle. (I suppose I should be happy that I found his point of view problematic!) In the end, he portrayed the world the way he saw it, which meant it was a successful if not pleasant undertaking.

What secondary character would you like to explore more? Tell me about him or her?

Although there are multiple secondary characters that could have a story of their own, given the number who die (see above), it would have to be a prequel for quite a few and there would be the risk of a significant spoiler. The one I will pick here is Krystyn, who has a minor part late in the book. She is a tween who does not understand the meaning of the word no and meets Aeryn under, let’s say, unusual and perilous circumstances. She has a role in helping Aeryn escape from a difficult situation as well as a part in a major development later on. This is a pretty fearless kid. I found her taking over the few scenes that were planned for her, almost as if she was demanding a larger part. I had to say no to that, but she is set up to have adventures of her own when she is a little older. I have left a hint about that in the book.

What are you working on now and when can we expect it?

Most immediately, I am deep into a hard science fiction book. This will be the fifth story in the Leif the Lucky series and I expect it to come out in mid-2024. The events in that story will come immediately after the conclusion of A Planet of Wrath and Tears, which was released in December 2023. After that, I am most likely to come back to Gimlé for a different adventure and, yes, it will involve Krystyn.

Dive into Colin Alexander’s sci-fantasy masterpiece: Princess of Shadows: The Girl Who Would Be King.

A princess doesn’t lead an army. Or does she?

It is a hard life on a strange world under a red sun that never moves in the heavens, its landscape dotted with the ruins of the Ancients who came from beyond the sky. The Kingdom of the Light, Shadows, and Dark brought stability to this world for generations, but peace is dying as the kingdom crumbles. Rebellion and warfare are rife in the realm, and death in all its brutal forms stalks the land.

Aeryn, the Princess of Shadows, is second in line to the throne. As a young child, she loves stories of the Ancients and wants to see what is beyond the sky. The fighting, however, brings an abrupt end to her childhood and shatters not only the Light, Shadows, and Dark, but her family as well. She grows up amid war and loss, a smart, stubborn, and quick-tempered girl who promises her mother she would always do her best and vows to be true to her word. Childhood dreams must wait; her priorities become revenge and the throne of a restored kingdom.

Achieving any of her goals seems unlikely as obstacles are piled, one after another, in front of her. Armies fail, castles fall, and erstwhile allies betray. She makes plenty of mistakes and must learn from her errors fast enough to survive. She finds friends and allies in strange places, but there are many who see her as nothing more than a pawn in their own plays for power. The odds are not in her favor. If she fails, humanity will face a bleak future on an unforgiving world.

What is the future of a young princess beset by powerful lords and captains? What is the fate of those men when the princess decides to get even?

Warnings: Combat scenes both one-on-one and armies, named characters die.

Includes bi, lesbian and gay characters.

Amazon | Universal Buy Link

“Gods and Goddesses!” Sophia said as she looked at her daughter. “What has my little Red Rynnie been doing?”

The miniature tornado turned to Robert. “Mama says I should be called Her Royal Lowness because I’m little, but look at my feet!” She stuck out a bare foot covered in dirt from heel to toe. “If puppies have big paws, they grow into big dogs. I’m going to be a big girl!” She turned back to her mother. “And, Mama, Rynnie is a baby name. I’m too big for that already. I’m Aeryn the Red!” She held out a curl of hair the same color as Sophia’s. Aeryn the Red was a sturdy child of about six standards. Dirt caked both freckled cheeks under green eyes and smeared her pink dress.

“All right.” Sophia laughed. “What has Aeryn the Red been doing, and how is it possible that you got so dirty?”

“We were playing vendetta outside, Mama,” said Aeryn.

“You were playing outside with the boys? In your dress?”

“I love my dress.” Aeryn smoothed down the side of the dress and transferred more dirt from her hands to the fabric as she did. “It’s just like your pink one.”

Sophia sighed. “And what do you mean about ‘playing vendetta’?”

“It’s a game, Mama. Somebody is ‘it’ and that means they have to go, ‘I cry vendetta,’ and then they’re the vendetta rider and they have to tag everyone else and then somebody else is it.”

“Vendetta,” Sophia said. “Saints. In the bad old days before the Hammer, a man could ‘cry vendetta’ against people he said wronged him. That was an oath that he would hunt down and kill all of them or he would die trying.” She shuddered. “Families were destroyed, villages burned. Yes, men still have rencontres and they still fight their duels, but no one cries vendetta anymore. The Hammer put a stop to that.”

“It’s a game, Mama!”

“Oh, and are you dirty because you fell when you were tagged? Or did you fall trying to tag someone?”

“No,” Aeryn said. “Siggy pushed me into the fosse.”

Sophia shook her head and considered that. Siggy was Sigismund Fitzwilliam, eldest son of Dux Matthew Fitzwilliam, on whom Arthur often relied, and who made a point of being at Triad frequently. With his eldest. Of course, even if Siggy had been nothing more than the son of an eques, she could not have complained about him pushing her princess into a big ditch. Arthur the Hammer had famously said of his children, “If they can’t survive growing up like everyone else, they don’t deserve to rule anyone else.” He had written that into his Code as well. Children did not receive any courtesies of rank before they reached adulthood at fourteen. Aemond, Aeryn’s elder brother, was Siggy’s age and should have stood up for his sister—but, no, Aemond was with his tutor. Sophia settled for saying, “Siggy is bigger and older. He should know better than to treat a smaller girl like that.”

“It’s all right, Mama,” Aeryn said. “I didn’t cry. You know that.”

That was the truth too. Aeryn had announced when she was about three that only babies cried, and that she was no longer a baby. From that time forward, no matter the scrape, bruise, or fall—and there had been many—no one had seen her cry.

“Very well, my young Princess of Shadows,” Robert said, “what did you do after Siggy pushed you into the fosse?”

“Well, I climbed out, of course.” Aeryn paused to be sure her mother and Robert were looking at her. “He is bigger, Mama. So I waited until he was doing something else and then I ran into him from behind as hard as I could, and I knocked him into the fosse. Headfirst! His nose is bloody now.”

“You hit him from behind? That’s not very nice, Aeryn,” Sophia said.

“I wasn’t feeling nice. I was mad.”

“You need to watch your temper, my little scapegrace,” Sophia said. “Princesses must always be nice.”

Aeryn stomped her bare foot on the floor. Then she put both fists on her hips and turned to look up at Darnald. “What would Comes Robert Darnald, who advises the king, say?”

Robert found himself chuckling, despite the work he knew was waiting for him. Of all the children who swarmed through the castle and its grounds, he found Aeryn special—and not because she was Princess of Shadows, currently second in line to the throne after Aemond. “You are a princess,” he said. “You must remember that a princess should be nice whenever she can. However . . . it is much more important for a princess to always get even.”

Aeryn giggled and made something between a bow and a curtsy. “I want to go take care of Barnabas, my pony,” she said, and spun to go.

“You change out of that dress first!” Sophia shouted after her. “And you put boots on your feet before you go mucking in that stall!”

When Aeryn had vanished and the beat of her footsteps had faded, Sophia looked at Darnald and grinned. “You put dangerous ideas into that child’s mind.”

“No, Ma’am,” Robert said. “They grow there quite spontaneously.”

Colin Alexander is a writer of science fiction and fantasy. Actually, Colin Alexander is the pseudonym for Alton Kremer, maybe his alter ego, or who he would have been if he hadn’t been a physician and biochemist and had a career as a medical researcher. His most recent book, A Planet of Wrath and Tears, is his tenth and the fourth of the Leif the Lucky novels. Colin is an active member of the Science Fiction and Fantasy Writers Association, Mystery Writers of America, and the Maine Writers & Publishers Alliance. Away from writing fiction, his idea of relaxation is martial arts (taekwondo and minna jiu jitsu). He lives in Maine with his wife.

Liminal Fiction: https://www.limfic.com/mbm-book-author/colin-alexander/

Author Facebook (Author Page): https://www.facebook.com/ColinAlexanderAuthor

Author Goodreads: https://www.goodreads.com/colinalexander