My Kind of Hero
The best heroes are always obsessed! Those I like are, anyway. There’s Macbeth, obsessed with a promise and ambition. There’s Zane Grey’s Gene Stewart, obsessed with love of a woman. (Light of Western Stars. To be read in its 1910 context; it’s horrendously xenophobic and binary.) There’s Stevie in Jack Dickson’s Banged Up and Some Kind of Love, obsessed with self-inflicted gay guilt. I’m drawn to these flawed, driven men: their very failings pull me in. I don’t want baddies! I suppose that Heathcliff in Wuthering Heights is the ultimate flawed hero, but Heathcliff is evil; he’s not my type. I want good men whose sole faults are their intensity and depth of feeling. Small wonder, then, that one of my County Durham Quad, Mike Angells, rides a dangerously tortured line.
Mike isn’t ambitious like Macbeth, nor passionate about a woman like Stewart and, although he is gay, he certainly doesn’t feel guilty about it as Stevie does. But, he is a man who moved to the tiny village of Tunhead to be close to his first love—who lies dead and buried in Tunhead’s churchyard. Mike no longer loves Sam Mitford—time and his life with the rest of the Quad have seen to that— but he is faithful to a fault to Sam’s memory. His obsession, for that is what it is, has cropped up in all the books in the County Durham Quad series, but nowhere more so than in The Refuge Bid, for the church and its graveyard are to be sold.
I like Mike’s commitment, his depth of feeling, his faithfulness, his desperation and, even though his intensity sometimes causes problems for Ross, Raith and Phil (for special friend, Nick, as well), I have always had a soft spot for him. Flawed, yes. Evil, no. Mike is my kind of hero. What’s yours? Thank you for the opportunity to chat and to ask. Jude.
Title: The Refuge Bid
Series: County Durham Quad 8
Author: Jude Tresswell
Publisher: KDP
Release Date: 31st July 2022
Heat Level: 2 – Fade to Black Sex
Pairing: Male/Male
Word count: 64,000
Genre: gay crime/mystery, M/M menage, sexual/ asexual relationships
Add to Goodreads
Synopsis
The Refuge Bid is a gay mystery and relationships tale set in fictional Tunhead, northeast England.
Is there a link between a woman who has been missing for ten years and the people bidding to buy and redevelop Tunhead’s decommissioned church and graveyard? Can the County Durham Quad and their special friend, Nick, find out and stop the sale—one grave is special—and can they raise the cash to counter the bids with an offer of their own? Success involves drawing on Tunhead’s quarrying industry past and on employing their very different skills but, also, they must acknowledge what it is that they really want from their unusual liaison.
(Involves asexual/ sexual relationships and contains references to a teenager’s suicide and conversion therapy.)
Purchase at Amazon
Discover the entire series!
Tales that track the exploits of Mike, Ross, Raith and Phil, four men who live and love in County Durham, North-East England. Together with, from Book 3 onward, their friend, Nick Seabrooke, the Quad solve crimes, are accused of crimes and, occasionally, commit crimes. Their actions jeopardise their relationships. Sometimes, the biggest threat they face is staying together. Each tale comes with its own plot, and background is included to aid new readers. Feel free to jump in anywhere.
Available from Amazon
Anxiety, but mounting relief. Those were his feelings as he stamped down the final clod of earth and smoothed the surface. Some stones and bricks would lie around but who would pay attention to a scattering of those in a place like this? You wouldn’t give them a second glance. So, he’d done it! Literally buried a problem and no one would be any the wiser.
And nobody was until, years later, a group of men from County Durham started digging up the past.
***
The Beck on the Wear Arts Centre, known for ease and for effect as BOTWAC, and the brainchild of Ross Whitburn-Howe. Ross lay in bed and mentally ticked off items linked to BOTWAC’s Easter re-opening. People could visit all year round if they wished to, but the Centre’s location at the end of the lane that wound steeply up to Tunhead in the Durham hills was an icy deterrent during winter. Come spring, though, Tunhead shook off winter’s cold discomforts and looked and sounded full of life—even where it harboured death, for Tunhead had a church with a graveyard.
It might be asked why a tiny village that had never been home to more than a hundred people at any one time should boast a church, let alone a graveyard. The church was a gift from the family who, two centuries past, had owned the limestone quarry that led to Tunhead’s existence. The workers should have Sundays off, provided they prayed and listened to sermons instead, and as the nearest church was a ten mile walk from the row of terraced houses, it seemed sensible to offer an alternative on-site as it were. So, called St Stephen’s after the patron saint of stone masons, the church was used by the quarrymen, their families, the tenant farmers and farmhands who worked the fields adjoining the lane and by the old landowners themselves. St Steve’s was still consecrated although, now, disused. That didn’t mean that the graveyard had become a dismal ruin. Like the rest of the village, it looked neat and tidy, spring flower-full and ready to welcome visitors.
“Yes!” thought Ross. “Everything sorted. Publicity placed with the tourist board, leaflets ready for distribution, programme of events arranged, social media angles covered, and bookings already coming in for the workshops and for August’s week-long pottery festival.”
The man who lay beside him stirred, opened and rubbed two sleepy eyes and said, “Mornin’, Gorgeous.”
“Morning, Mike.” Ross smiled and returned the squeeze that followed the greeting. He snuggled down to enjoy a few more minutes’ warmth in bed. A hair dryer whirred into action from the bedroom across the landing.
“That Raith doin’ his hair? Better get a move on before he’s down and nickin’ me breakfast sausages.” Mike got up, pulled on a pair of boxers and went downstairs.
The ‘Raith’ was Raith Rodrigo Roberts-Balaño—known as Raith Balan: sculptor of erotic art and wearer of exotic clothing. The ‘Roberts’ section of his name was the surname of his husband, Phil, who in comparison with Raith was extremely conventional, and a surgeon. Phil was breakfasting on yoghurt, fruit and wholemeal bread when Mike entered the sunny kitchen.
“Mornin’ Phil.” A kiss on the cheek and a hug around the shoulders. Returned with a grin and a “Morning.”
And so, Ross, Mike, Raith and Phil looked forward to March with the optimism produced by mutual affection and the promise of spring.
Just released Book 8 in the County Durham Quad series. I think it might be the final one. There’s a piece of non-fiction that I want to write (still focusing on County Durham!) and I know that the research alone will take up much of my time. I do love the north of England. It’s where I was born and grew up and northern England is the setting for all my work. I always ‘heard’ the stories as I wrote them and I wanted to read extracts over visual footage of County Durham (the Quad tales) and Yorkshire (Scar Ghyll Levels). It’s a project that became became a reality.
Six videos are now on YouTube. To see all the videos in full, plus the photographs I took for Scar Ghyll Levels, visit my YouTube channel.
Find my blog here. It really is a poly all sorts of a blog but there’s a books and an LGBTQ focus.
I hope that you like the new book. Last one or not, it has a happy ending.
As always, Dani and co, thank you for the opportunity to tell people about my guys. Jude