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Book Title: Hathonatum
Author: Taylin Clavelli
Publisher: MLR Press
Genre/s: Science Fiction, Contemporary M/M, Interracial (Alien/Human), Inter-dimensional, Reincarnation. Multi-Verse, Historical elements.
Length: 89 000 words
The story can be read as a standalone. It is the first book in the Pelethus Series. The next book involves different main characters that are connected to those in Hathonatum.
Buy Links
Publisher: MLR Press | Smashwords
Amazon
Hathonatum is a love story that spans time, dimension, universe and death.
Blurb
Have you ever wondered if that little voice inside you is actually your voice?
Egypt captivates Benjamin. As an adult, he immerses himself in his chosen profession, as an archaeologist in the ancient city of Abydos. For Ben, the hieroglyphs, and paintings unlock dreams of a time long lost.
The dig Ben works on is financed by Ashari Hathonatum. For many years, the man has been looking for the one who completes him. He initially saw his heart’s match from a distance. But that was a long time ago and from an alternate universe. When Ashari encounters Ben, he wonders if he is the reincarnation of the man he saw, through another’s eyes, all those years ago. Will the secrets Ashari hides about his heritage stop their love blooming, or will others from his dimension, determined to keep Ashari from his heart’s match, rule the day?
**The story is written with British spelling/grammar. **
Inspiration behind Hathonatum
The first inkling of an idea for Hathonatum came while I was away on holiday. I saw some super street art that tickled my creative senses. It got me thinking about different worlds, how they were created and what would live there. After that, the seed just kept growing. Hathonatum though, has been a long time coming – roughly five years. I knew I wanted to include certain elements, but it took me a while to piece it together. There were scenes that I knew I wanted to write, but I had no clue where they would feature because, past a certain point, a story evolves on its own.
Since childhood, I have loved Egyptian history, so that was always going to be in somewhere the story arc. I then had several other ideas. All authors will empathise when I say that something didn’t feel right. Depicting pharaohs in an alternative way, was one idea that I canned because I didn’t want to infuriate Egyptian authorities who are rather protective of the way their heritage is portrayed.
The use of lapis lazuli in Egyptian artefacts had me researching the properties of different semi-precious stones. I knew then that they’d feature in Hathonatum. How and where had to be sorted. For a while, I had a list on my wall of a lot of stones and their alternative properties. E.g. All Jasper’s have grounding properties; they ground a person with the earth and work well together with quartz. Quartz can be used for metaphysical work, in that it is programmable. One can infuse it with your intention and the stone will amplify it. As for Lapis Lazuli – it activates psychic abilities and intuition. It is also connected to spiritual guidance and visionary awareness. Lapis is often referred to as having royal energy.
When my daughter went to university to study physics, the conversations we had made a major part ‘click’ into place. She also helped translate the technical jargon into plain English. The theory behind alternate dimensions is when Hathonatum became a science fiction story. After that, it was like putting together a computer program. I had the requirements, but certain elements didn’t seem like a natural fit. I don’t like reading stories that feel conveniently forced. I prefer them to evolve naturally. The last thing I wanted was to create one in that ilk – hopefully, I’ve done that.
When I tell people that Hathonatum is a sci-fi story set in the present day, and it contains archaeology, reincarnation, ancient Egyptian settings, alternate dimensions, mainly with the backdrop of present-day Egypt, they look at me with WTF faces. These are some of the reasons it took a long time to write. That’s why it’s 88k. I couldn’t drop all that into a novella and have it believable.
While writing, one of the hardest things was knowing what to introduce, where. I wrote three lots of first chapters because I didn’t know whether to start with the sci-fi, add it in later or do a kind of combination. I knew which way my gut was telling me to go, but thankfully, I have a fantastic pre-reader who confirmed my thoughts. If I had written Hathonatum any other way, it would have been confusing and messy.
Though Ben loved the thought of studying Seti, he was part of a small crew concentrating on Narmer (3180-3120 BC), whose tomb was located to the west of the dig, almost as far away from Seti as a tomb could get. Not much was known about the first pharaoh of the combined kingdoms, and Ben wanted to help discover something new. He wanted to shed light on a life that no one knew about—a new phenomenon to capture the imagination.
Ben had been on-site for a little over a week when he saw an intriguing man talking to Terry, his dig leader. Judging by his skin, Ben suspected the man to be local, but it was difficult to tell. Other than his face, the only other exposed part of him was his hands. The rest of him was covered with clothing designed to keep out the worst of the sand—layered, lightweight, loose, and black.
When the man locked gazes with him, Ben found himself staring into a vibrant blue sea of lapis lazuli, framed with black lashes and dark eyebrows. It wasn’t until a fellow worker walked between them that the connection was broken. When Ben sought to re-establish contact, the other had his back to him. Ben returned to his work, clearing out a trench of sand. The heat and excitement over what his group might find overshadowed any musings concerning the stranger.
At the end of the day, Ben was so tired he clambered onto the city-bound truck with as much grace as a stumbling mummy.
That night, while lounging on his bed, images of dark blue assaulted him. The event was rare for him, considering Egypt was his prime…prime everything.
Every day, the journey to the ruins was like being transported back in time. Ben could close his eyes and almost feel like he was there, in ancient Egypt. Often, he imagined he could see a partial image of the hustle and bustle of the ancient civilization continuing around him. At other times, he was in the quiet solitude of a temple. The images were odd, considering ancient Abydos was a graveyard.
From the drop-off point the next day, Ben made his way to tombs B17 and B18—the tombs attributed to Narmer. He worked there all morning with his small, square trowel and brush, slowly moving away the sands of eons.
As lunchtime approached, he relocated to the edge of the main dig and took his break. From there, he would imagine life in ancient Egypt.
Daydreaming, he chose to walk back to his station.
Suddenly, an alarm sounded. It was the warning for a sandstorm. It was similar to what his grandparents had described as the air raid warning from the war.
There was a flurry of activity while people efficiently covered artefacts and other areas of importance. Ben glanced around, noticing the storm was a lot closer than he’d originally thought. It had come out of nowhere. What crept toward the dig seemed like a moving wall of cloud, dense enough to shield the view and engulf anything below it. If it wasn’t for the cottonlike plumes of wheat colours, Ben could have believed a curtain of rain was heading his way. The screen of rapid shadow was making quick progress toward the dig, swallowing all in its path. Briefly, Ben went rigid, unable to move. When the sound of hissing reached his consciousness, and sand stung his feet and face, he dashed toward shelter. He was running a losing race.
Abruptly, he was grabbed and pulled to the floor behind a shallow wall. In a spell of activity as sleek as the sandstorm, a mask was put over his face, and his body along with that of his saviour rolled together. Over and over, they turned. Coming to a halt, and dizzy, Ben found himself cocooned, head to toe in a thick blanket. From the outside, the two of them probably resembled a fat, discarded mummy.
As Ben regained his senses, he could feel a wall to his back and secure arms around him. The only thing between them was his messenger bag containing the bottles of water he was required to keep on him to prevent dehydration in the desert sun.
Panting, he opened his eyes to a familiar sea of lazuli.
I am proud to be British and proud to be an author of gay romance stories from varying genres. I write under the pseudonym Taylin Clavelli, not because I don’t want my real name out there, but because I think my real name is unmemorable for an author. The name came about from a night of Skype and a lot of wine.
My first published work – a comedy called Boys Toys and Carpet Fitters – came out in 2012. It was part of a Dreamspinners anthology called Don’t Do This At Home. Since then, I have produced a further two novels and five short stories, not including Hathonatum.
As well as being married for close to thirty years, and have a grown-up family, who I adore – I work part-time at a Manor Hotel, where I am also the resident historian. I am a book reviewer, too for a well-known site.
Not being a spring chicken anymore, I have a few hobbies that over the years have come, gone and resurfaced again. I am an experienced horse rider, and 2nd Degree Black Belt in Taekwondo. I help my husband with DIY projects, upcycle as much as possible and love my garden. As for those simple things that make me stop in my tracks. The dawn chorus, baking bread, lasagne, and the scene where Shadowfax makes his screen entrance.
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