A warm welcome to author Mel Gough joining us today to talk about new release “A World Apart”.
Mel talks about their writing proces, shares an excerpt and there is a giveaway to participate in!
Welcome Mel đ
Title:Â A World Apart
Author: Mel Gough
Publisher:Â NineStar Press
Release Date: September 18, 2017
Length: 51900
Genre: Contemporary, NineStar Press, LGBT, drugs, HIV, AIDS, TB, familial abuse. Bi, gay. alcoholism, hurt/comfort, law enforcement
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Synopsis
Ben Griers is the darling of Corinth Georgiaâs Police Departmentâintelligent, handsome, and hardworking. Thanks to his beautiful wife and clever daughter, Benâs family is the envy of the town. Yet desperate unhappiness is hiding just below the surface.
When Donnie Saunders, a deadbeat redneck with a temper, is brought to the Corinth PD as a suspect in a hit-and-run, Ben finds himself surprisingly intrigued by the man. He quickly establishes Donnieâs innocence but canât shake the feeling that Donnie is hiding something. When they unexpectedly encounter each other again at an AA meeting in Atlanta, sparks begin to fly.
With his marriage on the verge of collapse, Ben is grateful for the other manâs affection. But he is soon struggling to help an increasingly vulnerable Donnie, while at the same time having to deal with the upheaval in his own life. Ben eventually realizes that they cannot achieve happiness together unless they confront their darkest secrets.
My writing process
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I do writerly things every day. I usually have more than one thing under way at any one time. I still write fanfiction and post chapters for those stories frequently so that my readers donât forget me. I find the fanfic writing relaxes me and keeps my writing muscle smooth, so my original work is better for it. When I donât write actual words for a story or novel, I still engage in something related to writing â research, making notes, editing, networking, planning marketing etc,
Itâs hard for me to say whether Iâm more of an outliner or pantser. The best book Iâve read on writing so far is the one by Stephen King, and my writing approach is quite similar to what he describes: I know the story before I start, the same way you can see bits of a dinosaur skeleton poking out of the ground before you start excavating it. You can make an educated guess whatâs going to emerge from the earth. But there are still many surprises, and sometimes what you believe to be the beginning of the tail is actually just the end of the neck. What I want to say with my poor analogy is that someone tends to plan my stories and novels, but it doesnât feel that I know that person very well.
When I attended the Writerâs Digest Conference this year one of the definitions of a pantser was someone who doesnât finish books for years and years, or writes and rewrites individual chapters over and over. I donât do that. I edit little while I write the first draft, just write it from beginning to end. Some of it, especially the âscratchy stuffâ, which is the handwritten version of Draft Zero, is hardly more of an outline (for example, when I have to write a sex scene I tend to leave it to last). I also donât do all my research while I write. Iâll have square brackets with a brief description of what I need (a street name, a tool, an illness, the sex) and I look it up later, or fill in the blanks when I feel like writing it.
I do a lot of research on things like medical conditions and medication because I enjoy writing (and learning) about those. So far, all my books have been contemporary stories, so I donât need to learn a whole new world or anything before I start to write. I tend to write something like [migraine rescue medication] or [codeine side effect] while Iâm scribbling away, and later flesh out that bit with actual brand names and research that Iâve done.
I write by hand first. Someone on twitter called it âthe scratchy stuffâ – what you need to use pen and paper for. I love the scratchy stuff, and literally scratch away with a pencil on my notebook. Without this step, I never find that I get a good handle on a scene. Before I start typing, I need to know who is in my scene, and where they are at any given moment. I need to know what the weather is like, and what people are wearing. I need to walk the characters through the scene, make them walk across the room, scratch their nose, breathe, look at each other. And then, when I start typing, theyâre there on the paper, and I forget about all the details. When I type thatâs when those stage directions and the dialogue become proper prose. Usually, apart from the dialogue, which I find easy and pleasant to write, the handwritten pages arenât very closely related to the finished story. They are my first scaffold, and I use it to hold on to while I go on my wild story ride.
A World Apart
Mel Gough © 2017
All Rights Reserved
Chapter One
âWhat have we got, Lou?â Ben asked as he stepped up to the reception desk at Corinth Police Department. He glanced at a handcuffed man sitting on a nearby bench and staring determinately down at the scuffed linoleum floor. The manâs strawberry-blond hair was disheveled, falling low over his forehead and brushing his reddish eyelashes as his eyes flicked up nervously at Ben. He looked to be in his mid-thirties. One knee was jiggling nervously, and his jaw worked as if he was biting the inside of his mouth repeatedly.
âThat guy was driving the vehicle involved in the hit-and-run yesterday,â Lou, the gray-haired desk clerk, said, jerking his thumb at the man on the bench. âBrowne and OâDonnell brought him in. Theyâre with the captain.â
Just that moment, the door to the inner sanctum of the station opened, and Jason Browne strode out of Captain Buckleyâs office. The sleeves of his uniform were rolled up as usual, to show off his muscular, tanned arms.
âHow was court, brother?â Jason sounded cheerful, but his gray eyes were cold. In Benâs partner and best friend since high school, that was never a good combination. Ben gave Jason a long look, then shrugged.
âAs expected.â He didnât want to think about the peculiar effect the defendantâs words had had on him, and he sure as hell wasnât going to discuss it in front of a suspect, or Lou.
âYou missed all the excitement.â Jason gestured toward the handcuffed man, who was staring at the floor again. âSaunders here knows some pretty colorful language, and he was none too happy to accompany us, neither.â
âHence the handcuffs?â Ben asked drily.
Jason nodded, smirking.
âWasnât me that hit that kid,â Saunders suddenly muttered, his dark voice shaking slightly with suppressed anger. âTold yâall I wasnât in town.â
Jason sighed, folding his arms across his chest with exaggerated impatience. âAnd I told you this: We got witnesses placing you at the scene, smart-ass. Itâs your word against theirs. Whoâre we gonna believe, some deadbeat, or the boyâs mother?â
Ben frowned at his partner. They had been in the radio car on their usual route the day before when the call about a hit-and-run near Corinth High had come over dispatch. OâDonnell and Myers, the departmentâs other two sergeants, had been closest and responded to the call. Last night, back at the station, OâDonnell had told them that the boy had a broken leg from being flung off his bike, but that he would undoubtedly survive. There really was no need for Jason to be so aggressive about the issue.
Saunders suddenly sat up straight on the bench, glaring at Jason. âIt wasnât me! Whyâre ya not listeninâ?â His dark blue eyes were wide with fury.
Ben, knowing Jasonâs thought processes and impulses nearly as well as his own, stepped in his partnerâs way. Gaze fixed on his friend, he said loud enough for Lou and any bystanders to hear, âWhy donât you and I take Mr. Saunders through to the interrogation room for a statement?â He put special emphasis on the last words, hoping Jason would get his meaning: Anything other than a polite request for an official statement from the suspect would be out of order at this point.
Taking Jasonâs reluctant jerk of the head as assent, Ben turned around, intending to escort Saunders to the interrogation room. But as soon as his back was turned, Jason stepped nimbly around him and grabbed the man hard by the upper arm.
Saunders flinched, but Jasonâs grip on him was like a vise. Saundersâs eyes met Benâs, and there was pure animal fear in them, as well as something Ben couldnât quite place. Anguish, perhaps?
He stepped up close behind Jason. âIf you dislocate his shoulder thereâll be an awful lot of paperwork to fill in for both of us, brother.â Ben kept his voice quiet and even, but Jason knew him well enough to detect the steely undertone. After a moment, Jason huffed, then let go of Saunders and took a step back. There were finger-shaped marks on Saundersâs well-defined bicep, just below the rolled-up sleeve.
Now Ben stepped forward, and Saunders looked at him. He was still breathing fast, but the fear was beginning to fade from the indigo blue eyes.
Ben motioned at Saunders to stand, then pointed down the corridor. âWould you come this way, please?â
Good cop, bad cop. Ben really hated playing this game, but Jason had left him no choice. Saunders got up. He was no taller than Ben, who just about scraped five foot ten. Jason towered over them both, still glowering. Saunders gave him a quick, disgusted look, then preceded Ben down the dreary-gray hallway, handcuffed arms held stiffly behind him. As Ben followed, he noticed that Saundersâs shoulders were unusually broad for a man his height.
At the door to the interrogation room, Ben let Jason draw ahead. He followed the two men inside and closed the door. Jason approached Saunders, who had backed up against the one-way mirror.
âTurn around,â Jason said gruffly.
Saunders ignored him and stared straight at the bottle-green linoleum floor. Ben spoke before Jason could get angry again. âSir, the sergeant will move the handcuffs to the front so you can sit down more comfortably.â The indigo blue eyes that met Benâs were still full of mistrust, but after a moment, they softened and Saunders turned obediently.
âSit,â Jason said when he had shackled Saundersâs arms again in the front. Saunders sat down heavily in the single chair on one side of the square floor-bolted table. Ben and Jason took the two chairs opposite.
Leaning forward, Ben waited until he had the suspectâs attention. âDo you mind if we record this conversation?â
âYer arresting me?â The narrow blue eyes were suspicious again, but Saunders sounded more wary than belligerent. And he completely ignored Jason, his gaze never wavering from Ben.
âNo, weâre not,â Ben said quietly. âBut having a record of what we talk about will aid your cause.â
Saunders chewed this over, trying to decide whether Ben was telling the truth. Eventually he gave a small shrug.
âSir,â Ben said. âPlease state for the protocol: Do you mind if we record this conversation?â Forcing the police procedural on this man was surprisingly distressing. Saunders gave him a pained look.
âGo âhead.â
Jason pressed the digital recorder button on the small panel in the tabletop to his right. But it was Ben who spoke again. When they interrogated a suspect together, Ben usually started off the interview. His milder, calmer demeanor tended to relax the atmosphere better than Jasonâs hot temper. For now, Jason seemed to have gotten all his anger out by playing scary cop in front of Lou and sat quietly back in his chair.
âStatement protocol, September twenty-second, eleven forty-five a.m. Officers present: Sergeant Ben Griers and Sergeant Jason Browne.â Ben nodded at the suspect. âPlease state your full name for the record, sir.â
âDonnie Saunders.â The manâs voice was quiet, and he sounded tired.
Ben waited for Saunders to look at him again, and nodded his thanks. Then he glanced at Jason, eyebrows raised, reminding his partner with his most level stare to act appropriately. âOfficer Browne will now ask you a few questions.â
âAlright,â Jason said. Ben took this as the opening of the interview and an affirmation that he would stay calm. âMr. Saunders, your pickup truck was seen driving away after hitting Dennis Mallory on his bike while he was riding home after school yesterday afternoon at about three thirty p.m.â
âI told yâall three times now, it wasnât me. Why is it that ya canât hear me?â Saundersâs voice had risen again in volume, but there was a strange quiver in it, too. He leaned back in his chair as far as he could, regarding Jason from eyes narrowed in anger.
Before Jason, who looked ready to explode again, could respond, Ben said quickly, âLetâs rephrase the question: Sir, where were you yesterday at three thirty p.m.?â
Saunders didnât immediately reply. His eyes darted nervously around the room, never meeting Benâs, and ignoring Jason completely. Then they settled on the shackled, tightly folded hands in his lap.
Is he trying to come up with a lie?
Eventually, Saunders said, âWas in Atlanta. Had an appointment at the DFCS.â His voice was very quiet, and he didnât look up. It didnât sound like a lie, but a truth the man was reluctant to share.
Ben decided not to press for details. It was none of his business why the guy had been summoned to the Division of Family and Children Services. As long as he could determine that Saunders had been forty miles away from the scene of the hit-and-run, he had done his job.
âI need to know who you were there to see,â Ben said just as quietly, and wasnât surprised when his gaze was met with one of suspicion again. He added in explanation, âA phone call to the person you had the appointment with will clear you.â
Saunders gave a small jerk of the head in understanding. âStacy Miller.â
âThank you.â Ben looked at Jason, considering his options. Could he leave these two alone for a few minutes? His partnerâs steely gaze never wavered from Saunders, and Ben could feel Jasonâs tension. But if he told Jason to make the phone call, would he try very hard to get at the truth? No, Ben would have to call the DFCS himself. Heâd just be really quick about it.
âJason, stay with Mr. Saunders. Iâm going to call Ms. Miller.â
Not waiting for Jasonâs acknowledgment, or asking permission from Saunders to make the call on his behalf, Ben got up and left the room. He went back to the front desk. âLou, find me the number for Atlanta DFCS.â
The desk clerk looked grumpy for a moment but then started hacking away at his keyboard without a word. Finally he picked up the phone, dialed a number, and held the receiver out to Ben.
âDFCS switchboard,â a tinny voice announced in Benâs ear. âHow can I help?â
âStacy Miller, please,â Ben said, ignoring Lou, who was trying hard to look like he wasnât listening in.
âHold the line.â
Ben half turned away while he listened to the annoying phone queue music. After a few moments, there was a click and a crisp voice said, âMedicaid assessment team. How can I help you?â
âIs this Stacy Miller?â
âIt is. Whoâs asking?â
âMs. Miller, this is Sergeant Ben Griers, Corinth PD. Did a man by the name of Donnie Saunders have an appointment with you yesterday afternoon?â Ben mentally crossed his fingers that the mention of his rank would suffice to elicit this piece of fairly innocuous information. Legally, he had no leg to stand on, but his experience had taught him that a courteous yet firm manner often got you surprisingly far.
And his experience held true again. After only a moment, the woman on the other end said, âYes, he did.â
âAnd he attended?â
âYes.â
âWhat time was his appointment?â
âThree p.m. But we were running late, so I think I started with him around three fifteen.â
âAnd how long was he there for?â
âAbout forty-five minutes. Officer, is Mr. Saunders alright?â
That was a surprising question. State employees usually had no time or interest to worry about the hundreds of people that passed by their desks every week. But then, here Ben was himself, trying to help Saunders as well, as quickly and with as little delay as possible. Maybe some of us do still care.
âHeâs fine. Maâam, if I were to check your officeâs visitor register for yesterday, would the record back up your statement?â
âIt would,â Ms. Miller said composedly. âAnd youâd find a parking permit in Mr. Saundersâs name as well. We donât have much space out front, so clients get timed permits for the parking lot at the back.â
That was more than good enough for Ben. âThank you for your time, maâam.â
âYouâre welcome, Officer. Have a good day.â
âAnd you.â
Ben put the phone down, nodded at Lou, and swiftly turned his back before the desk clerk could make a comment or ask any questions.
As he walked down the corridor toward the interrogation room, Benâs mind was on the phone call, even as he kept telling himself that, beyond establishing a suspectâs alibi, what he had just learned was none of his business. But he couldnât help wondering about it. Why had Saunders gone to the Medicaid office? He didnât look ill. Of course, there were a dozen possible reasons. A sick family member. An old injury that no insurance would cover. Or even trying to get at some extra state assistance for no good reason at all. None of this was relevant to the case, and as he reached the interrogation room, Ben tried his best to push the thoughts from his mind.
He opened the door but didnât rejoin the other two at the table. âMr. Saunders, your alibi for yesterday afternoon was confirmed by Ms. Miller. Youâre free to leave.â
Jason looked around at Ben, scowling. Ben ignored his partner and kept his eyes on Saunders, who, after a fleeting look of surprise, raised his shackled wrists. âYa gonna let me keep them as a souvenir?â
Surprisingly, he didnât sound aggrieved. Ben had been prepared for righteous indignation and anger, and wouldnât have blamed the man for it. But Saunders just sat there, looking kind of tired and defeated. He held his arms out without comment as Jason leaned over with the handcuff keys. Once he was free, Saunders got up and, without a glance at Jason, walked toward the door. When he drew level with Ben, he stopped, eyes on the floor in front of him.
âThanks,â he muttered quietly, then strode out of the room.
Ben glanced after Saunders as the man continued down the hall, shoulders hitched, face averted from the people milling around the lobby. A strange sensation rose up in him. Was it pity? He tried to tell himself that it was only natural to take an interest, feel something, after what Jason had put this man through without a single good reason.
And for Ben, the whole thing wasnât over yet. Turning to his partner with a scowl, he asked, âWhy were you so sure it was him? You practically had him convicted already.â
Jason shrugged. âWitness said they saw a dark brown pickup, same as Saunders has. And today, he was just sort of hanging around the gas station on Fullerton. Thought we should check him out.â
âDid you have anything else to go on? Description of the driver, partial number plate, anything?â
âNope.â
Jason sounded smug, and Ben had to take a deep breath to keep his voice level. âDid he maybe behave in a suspicious manner?â
âMaybe,â Jason agreed as he got up. In Jason-speak that meant:Â Just didnât like the look of the dude.
Jason sometimes got like this; he was all guts and instinct and reaction. That had its uses in policing, too, and Ben usually made excuses for his friendâs hot-headedness, because it mostly came from the right place in his heart. But somehow, this time he couldnât. Maybe it had happened one time too many. Or maybe, because this time Jasonâs ire had focused on a completely innocent party, heâd simply rubbed Ben the wrong way.
As he followed Jason out of the room, Ben hissed, âSince this was your party, brother, you can write it up for the captain as well, alright?â This would annoy Jason more than anything. He hated writing reports.
Without another word, Ben strode past the other man and out into the parking lot. He needed a moment to calm down or else he might well punch his partner and best friend in the face before the day was done.
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Mel was born in Germany, where she spent the first twenty-six years of her life (with a one-year stint in Los Angeles). She has always been fascinated by cultures and human interaction, and got a Masters in Social Anthropology. After finishing university she moved to London, where she has now lived for ten years.
If you were to ask her parents what Mel enjoyed the most since the age of six, they would undoubtedly say âReading!â She would take fifteen books on a three-week beach holiday, and then read all her momâs books once sheâd devoured her own midway through week two.
Back home in her momâs attic thereâs a box full of journals with stories Mel wrote when she was in her early teens. None of the stories are finished, or any good. She has told herself bedtime stories as far back as she can remember.
In her day job, Mel works for an NGO as operations manager. No other city is quite like London, and Mel loves her city. The hustle and bustle still amaze and thrill her even after all these years. When not reading, writing or going to the theater, Mel spends her time with her long-time boyfriend, discussing science or poking fun at each other.
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Thank you for the insight on your writing. I always like to read about author’s writing process. The excerpt sounded great. I can’t wait to read the book.
I love that you hand write and then move to the technological end. Seems so creative… but as a beta reader I find i do the same thing. So maybe it’s just the way our brain processes information!
The excerpt draws you to the dynamics among the 3 men, portraying their differences … you can feel Donnie’s fear and the tension in the room. Well done!
Good luck with the release. This sounds like a wonderful book!